Effective Sensor Size
35.64mm x 23.32mm (Large Format)
Blackmagic PYXIS 12K PL
Lens turret dust cap
PYXIS Standard Plate
PYXIS SSD Plate
90W power supply with locking connector and international adapters
Welcome booklet
DaVinci Resolve Studio activation key
Blackmagic PYXIS 12K PL is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production. This new model features a 12,288 x 8040 full frame RGBW sensor with built in optical low pass filter, 16 stops of dynamic range, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates. Blackmagic PYXIS 12K PL features a fixed PL mount that works with high quality professional cinema lenses.
Introducing the next generation customizable cinema camera! Blackmagic PYXIS is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!
Advanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress!
With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4? and 3/8? thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!
Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!
Blackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras!
The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!
You can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!
The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!
Blackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16!
The built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4? high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look!
Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig!
Blackmagic PYXIS Monitor is a versatile 5? HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!
The innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1/4? thread mounts and one 3/8? thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1/4? thread mounts and 4 3/8? thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!
The Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!
Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi-threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.
The Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!
Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!
When uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.
35.64mm x 23.32mm (Large Format)
2.9 microns
Active L-Mount.
Iris and focus on supported lenses.
16 Stops.
800
12,288 x 8040 (12K 3:2 open gate)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
9408 x 6264 (9K 3:2)
8688 x 4896 (9K 16:9)
9312 x 4896 (9K 17:9)
9312 x 3864 (9K 2.4:1)
7680 x 6408 (9K 6:5)
8192 x 5360 (8K 3:2 open gate)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
6432 x 5360 (8K 6:5)
4096 x 2680 (4K 3:2 open gate)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
3216 x 2680 (4K 6:5)
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
12K (3:2 open gate) up to 40 fps
12K (16:9) up to 45 fps
12K (17:9) up to 50 fps
12K (2.4:1) up to 60 fps
12K (6:5) up to 40 fps
9K (3:2 Super 35) up to 50 fps
9K (16:9 Super 35) up to 65 fps
9K (17:9 Super 35) up to 65 fps
9K (2.4:1 Super 35) up to 80 fps
9K (6:5 Super 35) up to 50 fps
8K/4K (3:2 open gate) up to 72 fps
8K/4K (16:9) up to 84 fps
8K/4K (17:9) up to 90 fps
8K/4K (2.4:1) up to 112 fps
8K/4K (6:5) up to 72 fps
Focus control possible using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings using compatible lenses.
4” 1920 x 1080.
1500 nits
LCD capacitive touchscreen.
Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
None
1 x 12G-SDI up to 2160p60
1 x Viewfinder USB-C with power,
data, video and locking connector.
1 x mini XLR analog audio in, switchable between mic with phantom power support and line level (up to +14dBu).
1 x 3.5mm Stereo Input.
1 x 3.5mm headphone jack.
Tri-Sync/Black Burst and Timecode.
USB Type-C for external drive recording,
PTP camera control and software updates.
1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE‑T.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.
Television standard sample rate of 48 kHz and 24‑bit.
Integrated stereo microphone.
1 x mono speaker.
2 x CFexpress Type B card slot, 1 x 10 Gbps USB-C port for external media for Blackmagic RAW and H.264 Proxy Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings. Camera Control REST API over Ethernet.
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
Download files from any drive attached to your camera using FTP.
File sharing using SMB
2 x CFexpress Type B
1 x high speed USB-C expansion port for external media.
Storage rates based on 24 frames per second.
12K - 12,288 x 8040
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 298 to 1,432 MB/s
Blackmagic RAW Q1 - 179 to 716 MB/s
Blackmagic RAW Q3 - 119 to 298 MB/s
Blackmagic RAW Q5 - 90 to 224 MB/s
9K - 9408 x 6264
Blackmagic RAW 3:1 - 713 MB/s
Blackmagic RAW 8:1 - 268 MB/s
Blackmagic RAW 12:1 - 178 MB/s
Blackmagic RAW 18:1 - 119 MB/s
Blackmagic RAW Q0 - 178 to 856 MB/s
Blackmagic RAW Q1 - 107 to 428 MB/s
Blackmagic RAW Q3 - 71 to 178 MB/s
Blackmagic RAW Q5 - 54 to 134 MB/s
8K - 8192 x 5360
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s
4K - 4096 x 2680
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
12,288 x 8,040, 12,288 x 6,912, 12,288 x 6,480, 12,288 x 5,112 and 9,648 x 8,040
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
9,408 x 6,264, 8,688 x 4,896, 9,312 x 4,896, 9,312 x 3,864 and 7,680 x 6,408
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
8,192 x 5,360, 8,192 x 4,608, 8,192 x 4,320, 8,192 x 3,408 and 6,432 x 5,360
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
4,096 x 2,680, 4,096 x 2,304, 4,096 x 2,160, 4,096 x 1,704 and 3,216 x 2,680
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
1 x External 18V DC 90 W power supply.
1 x 2‑pin Lemo compatible locking connector.
BP-U series.
12V - 18V
Blackmagic URSA Cine Handle
Blackmagic URSA Cine EVF
Blackmagic PYXIS Rosette Plate
Blackmagic PYXIS Monitor
Blackmagic PYXIS Monitor Kit
Blackmagic PYXIS Monitor EVF Kit
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic PYXIS 12K PL
Lens turret dust cap
PYXIS Standard Plate
PYXIS SSD Plate
90W power supply with locking connector and international adapters
Welcome booklet
DaVinci Resolve Studio activation key